Superstar Joshua Bell is the soloist in Mozart’s most popular violin concerto, nicknamed Turkish for its evocation of Janissary drums, featuring Bell’s own cadenza. Music Director Jaap van Zweden conducts this concert, which includes Gabrieli’s glorious music for brass and one of Tchaikovsky’s lu...
Jazz master Aaron Diehl is the soloist in Still’s lovely gift to his wife and Williams’s astrological portraits of her friends. Tito Muñoz conducts this newly recorded all-American concert that also presents Copland’s moody cityscape and evocation of rustic joy, and Ives’s search for the unknowab...
Leontyne Price, one of the most acclaimed sopranos of her generation, joins the Philharmonic and then Music Director Zubin Mehta for selections by Mozart and Richard Strauss in this classic 1982 performance.
Recitativo and Aria, Come scoglio, from Così fan tutte (1790)
Renowned soprano Jessye Norman performs Mahler’s Rückert-Lieder, a pensive set of orchestral songs meditating on love and death — perhaps Mahler’s favorite themes. Then she joins Zubin Mehta and the Orchestra in Wagner’s ecstatic aria of fatal love.
The great André Watts joins the Philharmonic in 1977 to perform Brahms’s Second Piano Concerto. Brahms jokingly called this a “tiny little” concerto for piano and orchestra, despite its being one of the largest ever written. The legendary Erich Leinsdorf conducts.
In this 1976 performance, storied pianist Van Cliburn joins musical giant Andre Previn for Grieg’s beloved Piano Concerto, a virtuosic work with one of the most recognizable openings in the repertoire.
Concerto for Piano and Orchestra in A minor, Op. 16 (1868)
1. Allegro mo...
Beethoven’s Fourth Piano Concerto opens with plaintive gentleness, the soloist alone before the orchestra takes over. So begins this conversation between piano and ensemble, enriched in this performance led by longtime collaborators Zubin Mehta and Vladimir Ashkenazy.
Kathleen Battle, one of the great sopranos of her time, sings a popular aria from Mozart’s Il ré pastore (The Shepherd King). Shlomo Mintz plays the solo violin part, representing the title character’s thoughts of his absent beloved.
Aria, L’amerò sarò costante, from Il ré pas...
This most uplifting, inspiring of concertos is rich with virtuosic flourishes, the blending of brilliance with quiet, and Beethoven’s unique brand of wit. As soloist, pianist Stephen Hough brings “bracing clarity” and his “richly poetic” artistry to this masterwork (The New York Times).